8 Reasons Why Professional Photography Is Harder Than it Looks

Jeff Guyer

Jeff Guyer is a commercial/portrait photographer based in Atlanta, GA. Still an avid street photographer and film shooter, Jeff also launched a kids photography class three years ago, where rumor has it he learns more from the kids than they learn from him.

harder-than-it-looks-diyphotography-002

It happened again about a week ago. The Conversation. You know the one. It starts innocently enough.

“You’re a professional photographer?”

“Yes. I am.”

“Wow! That must be so exciting.”

“Sometimes.”

“No, I bet you go to all sorts of cool and exciting places, and meet lots of interesting people.”

And so on and so on.

I enjoy talking to people about what I do, but sometimes I wish there was a simple way to paint a more accurate picture of it. People think that we travel the world, partying like rock stars, hanging out with supermodels, and taking a break every once in a while to shoot some photos. You and I know that this couldn’t be farther from the truth, but have you ever tried explaining to someone that in 2012 the median hourly wage for photographers was $13.70?!? That’s right, folks. According to the U.S. Bureau of Labor Statistics, the average photographer can barely go out for dinner on what they earn in a single hour.

So, where is the breakdown in communication? What is it about being a photographer that most people just don’t get? What is it that makes this job harder than it looks?

It Tests Your Resolve…Every Day.

I think this applies to most creative endeavors. For those of you who are not full-time photographers, I’m sure you fall somewhere on the love/hate scale when it comes to your job. Maybe you love it, maybe you hate it. Most likely, you fall somewhere in between. Just where you fall in between can and will change on any given day. But even if you love your job, it may not feed your soul. I loved a lot about my old life as an attorney, but it was strictly a job. My emotional investment in it extended no further than taking care of my family. It defined me to an extent, but not in the same way that being a photographer does.

For those of us who create for a living, it at least seems as if there is so much more at stake. I’m not trying in any way to lessen the importance of what anybody does for a paycheck. For me, though, every photo I put out there feels like a piece of me. There’s a certain amount of vulnerability that comes with that, as well as pressure. Pressure to create. Pressure to surpass what you did the day before. Pressure to share your passion with the world, even if the world doesn’t necessarily like what you’re sharing with it. It’s a daily battle, and rising to the occasion– and the challenge– is not always easy.

It Swallows Your Free Time.

Golden hour. Blue hour. Sunrise. Sunset. Nights. WEEKENDS. We shoot what our clients need shot when they need it shot. People get married on weekends, which means we work on weekends. My family assures me they understand, but if I’ve been barricaded in the editing bunker all week and I finally emerge just in time to spend 16 hours shooting a full wedding day over the weekend, promises involving jewelry will occasionally have to be made.

But even if your weekends aren’t filled with paid photography work, your brain is probably churning with ideas for personal projects and ways to improve your technique. Those of you who take your camera with you everywhere never really shut the photographic part of your brain off. If that works for you, I salute you. Photography was my life-long hobby. When it also became my profession, I had to force myself to put the camera down every once in a while and take back some free time for myself and my family.

Three Words: Cost…Of…Gear.

Requires no explanation.

Benefits? What Benefits?

Unless you’re working as a photographer for a fairly large company, I’m guessing that you’re footing the bill for your insurnace– health, life, disability, and don’t forget the gear. Gear premiums aren’t usually that bad, but paying for quality health insurance out of your own pocket can be extremely difficult. Vacation time? Forget it. You’re on your own, son. You need a steady– if not constant– stream of work coming in the door in order for this to work. That can be a very tough, stress-inducing pill to swallow.

Crazy Working Conditions.

Combat zones. Hurricanes. Art directors. Bridezillas. Not to mention our seemingly inherent disregard for safety and common sense when it comes to getting “The Shot.” In a world where it seems there are no more original ideas, finding and creating those opportunities and images is no small task or challenge. Obviously, this has a lot to do with your specific type of photography, but whatever your type is, I’m sure you have stories to tell about crazy conditions. Especially you freelance photojournalists. Being on call 24/7 with a portable police scanner as your constant companion cannot be easy.

More Photographers Than Jobs– You Do the Math.

Digital photography– the great equalizer. Suddenly everyone’s a professional photographer. Lower overhead might have made getting into photography easier, but it has also made it more difficult to stay in photography. The professionals and the hobbyists are using the same gear. The learning curve has fallen drastically. Learning the ins and outs of exposure and technique are still very important, but you can still get some really good shots straight out of the box. More importantly, though, there are only so many jobs and assignments out there. It’s Economics 101. Once you start dividing a limited number of gigs between an ever increasing number of photographers, somethings going to give.

It’s a Business!

When you get right down to it, such a relatively small amount of our professional time is actually spent behind a camera. Once you start factoring in the marketing, the client meetings, the research, the location scouting, the social media, the blogging, and all of the other activities that have nothing to do with an actual camera in your hands, you may actually start wondering why you ever thought this was a good idea in the first place.

Too Much Noise. Not Enough Signal.

About a year ago, Zack Arias put together an amazing video and I urge you to take a five-minute break to watch it. In “Signal & Noise,” Zack talks about the importance of clearing out the the petty, insignificant stuff that we stress about– the Noise– and concentrating on the stuff that matters. The stuff that makes us better photographers. The Signal. It’s not an easy thing to do. Sometimes you just can’t help comparing yourself to other photographers or stressing about how many people like your Facebook page. Too much noise can make concentrating on the signal a pretty daunting task.

YouTube video

Would You Have it Any Other Way?

Of course there are things I would change if I could. Who wouldn’t? The fact remains, though, that photography is– in many ways– just like every other job and career. It has its ups and downs. Its good days and bad days. Do I think our jobs would be easier if clients and the public had a more realistic understanding of what we do? Without a doubt.

On the other hand, traveling the world, partying like a rock star, hanging out with supermodels, and taking a break every once in a while to shoot some photos wouldn’t be so bad every once in a while either.

Filed Under:

Tagged With:

Find this interesting? Share it with your friends!

Jeff Guyer

Jeff Guyer

Jeff Guyer is a commercial/portrait photographer based in Atlanta, GA. Still an avid street photographer and film shooter, Jeff also launched a kids photography class three years ago, where rumor has it he learns more from the kids than they learn from him.

Join the Discussion

DIYP Comment Policy
Be nice, be on-topic, no personal information or flames.

Leave a Reply

Your email address will not be published. Required fields are marked *

12 responses to “8 Reasons Why Professional Photography Is Harder Than it Looks”

  1. Gabriel Lovas Avatar
    Gabriel Lovas

    “: 8 Reasons Why #Professional #Photography Is Harder Than it Looks – http://t.co/sZy0Zp3dpc”

  2. stewart norton Avatar
    stewart norton

    Great article…pity the only people likely to read it are photographers ! The one about swallowing time really hit home. In my career pervious to photography I worked long hours and had a young family so wanted something where I was more in control of my time….that Is where the problem started. Although my previous job took up a lot of my time when I wasn’t there my time was mine and I could enjoy it and do what I wanted nut I found as soon as I became a photographer all my free time had “gone”. The main reason for this was not the amount of work I had to do but by the fact that everytime I did anything remotely relaxing or enjoyable I was filled with guilt because I was not doing something to help build the business and I found a little voice saying “wow you have got so much work lined up you can just kick back,,,can you !!” , years on and thing a and that little voice is not as loud as it used to be but I can still hear the little bugger whispering to me sometimes ;-)

    1. Jeffrey Guyer Avatar
      Jeffrey Guyer

      Great perspective, Stewart. Thanks for joining the conversation.

  3. innovatology Avatar
    innovatology

    If the tools are no longer a differentiating factor, it comes down to all the other aspects: art, creativity, experience, speed, guarantees, communication, service, workflow, network…

    The same has happened in many other creative industries: web design, music recording, cooking, interior design. Anyone can learn to plug in a microphone and hit the red button. Does that make them a musician or producer? No. Perhaps you can cook a killer pasta for your family, but does that mean you be able to cook quality dishes again and again for an entire restaurant? Certainly not.

    Just because somebody owns a DSLR, knows which buttons to push and can produce a half decent image under good conditions, that doesn’t make them a pro photog. The amateur will blame the light, the equipment, the weather, the model, time constraints, the art directors concept. The pro will recognize the limits, be creative, use them to his advantage and still produce stunning results. If he can’t do that, well, maybe he’s not really a pro…

    1. Michael Clark Avatar
      Michael Clark

      It is true that a far higher percentage of professionals (those who get paid for their work) can produce excellent work under adverse conditions. But not everyone getting paid always does. And certainly many, but not ALL, amateurs “…blame the light, the equipment, etc…”. I know a few amateurs (someone who does something for the love of it) who also can “…recognize the limits, be creative, use them to his advantage and still produce stunning results.”

      1. innovatology Avatar
        innovatology

        I was generalizing of course, as was the article.

    2. Jeffrey Guyer Avatar
      Jeffrey Guyer

      Excellent perspective on the never-ending “what makes a professional” debate. Thanks!

  4. Bud Simpson Avatar
    Bud Simpson

    The reason professional photography is harder than it looks is the essence of the word “professional”. You are saying, by using that word, that you guarantee results. Every time. There’s no bailing out with notions like, “Let’s see if this turns out.” or “We’ll fix it in post.”

    Image the wailing terror if you called the mother of the bride a week after the wedding and told her that you forgot to download her daughter’s images from your cards. How long do you think you’d work in the industry if you told an art director on the set that you weren’t sure how to light the product he brought to shoot.

    Think about old pre-digital warhorses like me that would come back from a location shoot halfway around the world with maybe a hundred-fifty rolls of exposed 120 film. If I called a Fortune 500 media office and said, “Sorry, the lab ruined the film in processing. I’ll have to reshoot your CEO for the annual report!”, my career as a credible photographer would be over.

    Professionalism, craft, commitment – whatever you want to call it – that’s why it’s hard.

    1. Jim Johnson Avatar
      Jim Johnson

      “…the lab ruined the film…”

      Oh man, do I remember those days. Every time I start to get nostalgic for the “good old days”, I try to think about things like that. I’m so glad my film days are behind me.

    2. Jeffrey Guyer Avatar
      Jeffrey Guyer

      “Professionalism, craft, commitment – whatever you want to call it – that’s why it’s hard.” Awesome point, Bud.

  5. Jonathan Hale Avatar
    Jonathan Hale

    Can you please change the photo for this post. While the copyright of it is still debated we are photographers here and that photo should be the property of the man who worked so hard to create it. I loved the article and found so much of it true and helpful but found it hard to focus on that knowing that there isn’t respect for the hard work a photographer is doing.

  6. JasonC5 Avatar
    JasonC5

    Really? I have seen women just buy a new DSLr and within a few months get hired to photograph events and portraits and all of it looks pretty damn generic and yet they are stilll given the job of photographer. Hell, someone with no training or experience got paid to be a photographer at a Formula Drift event. Now maybe things are different for the guys but crap you really are making this seem harder than it really is as someone who is able to get great photos from any source and have started out on cheap Fuji film cameras.