This is why you don’t need more than a 20MP camera

Alex Baker

Alex Baker is a portrait and lifestyle driven photographer based in Valencia, Spain. She works on a range of projects from commercial to fine art and has had work featured in publications such as The Daily Mail, Conde Nast Traveller and El Mundo, and has exhibited work across Europe

YouTube video

How many megapixels is your camera? What about your phone? What about the camera you used ten years ago? If you’re anything like me, you might feel pressured to keep up with the latest technology and be on the lookout for ever-higher pixel counts. After all, that is one thing the big camera brands use to sell their latest upgrades of camera bodies.

However, have you ever stopped and considered exactly how many megapixels you really need and why going for the maximum pixel count may not be in your best interests? In this video, Nigel Danson raises this controversial topic. It’s related to the entry-level Nikon Z50ii, but it is relevant to any of the major camera brands.

Why these 20MP cameras are pretty good

Nigel takes a closer look at the Nikon Z50ii, a 20MP mirrorless camera aimed at vloggers. Canon has similar offerings, such as the EOS R8 and R10, which have 24MP. Honestly, all of these cameras are extremely good, particularly when you factor in the price versus quality ratio. All of these cameras deliver consistently colourful, sharp images and video and offer plenty of megapixels for the majority of photographers.

How many megapixels is enough?

The question is, then, how many megapixels do we really need, and why are we being convinced that 20MP isn’t enough? I remember my first DSLR, a Canon 400D, which had a grand total of 10.1MP. I was absolutely overjoyed with this little camera, and I took many images with it that I’m still proud of today. The megapixel count was never an issue for me.

Over the years, I upgraded to more professional full-frame cameras, eventually ending up with a Canon EOS R with 30MP. Unfortunately, due to a recent mishap, that camera is no longer functioning, and I’m finding myself looking at new cameras. However, I’m torn between an EOS R6ii with 24MP and an EOS R5 with 45MP. I feel like 24MP would be a downgrade, but is it?

Nigel rightly states that most of us don’t need a 45MP camera for the work that we do. For social media posts and printing anything up to A3 size, 20MP is enough. Of course, there are photographers who need the extra megapixels, but it’s important to know if you’re one of them before splashing out on the extra megapixels.

A side-by-side comparison with a 45MP camera

Nigel helpfully compares the 20MP camera with a 45MP camera (a Nikon Z8 in the video). He printed them in A3 and A2 sizes. The results showed minimal visible difference at A3, highlighting that unless you’re heavily cropping or printing at very large sizes, 20MP can offer plenty of detail.

At A2, the higher-resolution Z8 image had a slight edge in sharpness and detail, yet the difference remained subtle. This comparison reinforces that, for most photographers, megapixels beyond 20 aren’t crucial for capturing beautiful images.

Honestly, a higher megapixel can cause more headaches in terms of file size and storage. The files are considerably larger, meaning that you’ll need both more computer processing power and more storage space.

Technique over tech

While high-resolution cameras have their place, particularly for large-format prints, Nigel proves that thoughtful composition, good lighting, and creative vision matter more than megapixel count. A 20MP camera can deliver professional results, making it a fantastic choice for photographers focused on capturing great shots without the added expense or bulk of a high-megapixel camera.

In the end, 20MP is more than enough for most photography needs. For beginners and enthusiasts, investing in these sorts of cameras could be a smart choice. While all this is true, I still can’t quite get away from the allure of the 45MP camera. The struggle is real.

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Alex Baker

Alex Baker

Alex Baker is a portrait and lifestyle driven photographer based in Valencia, Spain. She works on a range of projects from commercial to fine art and has had work featured in publications such as The Daily Mail, Conde Nast Traveller and El Mundo, and has exhibited work across Europe

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7 responses to “This is why you don’t need more than a 20MP camera”

  1. Matt Emmi Avatar
    Matt Emmi

    I’ve seen this argument before and it’s both totally wrong and reveals that you haven’t owned and acclimated to a high resolution sensor.

    Your argument holds up only under the circumstances under which you apply your logic with a landscape shot to be printed and will likely (and unfortunately) put many photographers off of the benefits of a high resolution sensor.

    In portraiture or group photography the ability to crop and reframe nearly to any framing is ultra liberating and results in shooting very differently when wielding this ability with confidence.

    This ability in travel effectively doubles the focal length of every one of my lenses. My 50mm f1.2 can shoot as a 100mm lens and still render 12MP. And to your point that’s plenty for a print!

    Hit me up and ill send you a bunch of examples and you can do a follow up counterpoint story and let your readers decide

  2. Alan Haines Avatar
    Alan Haines

    how many megapixels would be the equivalent of kodachrome film?

    1. Sandor Avatar
      Sandor

      it is difficult to compare film with digital. A standard iso100 35mm fim is approx. 20MP Full Frame. However film is inheritely colour, while digital cams use the Bayer sensor, so a 20 MP digital is actually 4×5 MP in reality, tricked together to give you an impression of a 20MP pic. you win contrast, lose dynamic range. To fully keep up with top analogue systems, a 100 Mpix system will do it. Some things change with time, some not, you want it all, get a Hasselblad. :-)

    2. Amilcar de Oliveira Avatar
      Amilcar de Oliveira

      Recently, I found in my freezer a roll of Kodak Technical Pan. At ISO 25 it’s the sharpest film Kodak made for general photography. After I shot and digitized it I could see its grain, captured with a 24 Mp camera at ISO100. Very rarely it will be necessary to make 1.5 metre wide prints as Tech Pan permitted…and to pick up its grain, 24 Mp is still sharper. The camera used for digitizing was a D750 with 60mm f:2.8 AF-Nikkor (screw drive).

  3. Timothy Avatar
    Timothy

    The other cameras mentioned here are still $2000 to $3000 as a kit. Depends if we are discusiing what you need or want. “Most” (not all) photographers could also shoot with a used camera that is 5 years old; Canon M50 or Lumix G9, etc. Total investment for a kit under $1000 and perhaps closer to $500.

  4. Dave Haynie Avatar
    Dave Haynie

    Typical vloggers are of course not concerned with higher resolutions. If you’re shooting in 4K, that’s about 8.3 megapixels. And of course, stills on social media are generally downrezzed. Instagram cuts everything to just over 1 megapixel.

  5. Steve Z Avatar
    Steve Z

    Size of the megapixels not the number of megapixels matters, for image quality. That’s why some 24 or less megapixels cameras perform great in low light, the larger pixels capture more. As far as cropping, I rely on my zoom lenses instead, where as a larger number of MP’s would help with cropping!