Tokina’s 11-18mm F2.8 X is its first super-wide zoom designed for mirrorless

John Aldred

John Aldred is a photographer with over 25 years of experience in the portrait and commercial worlds. He is based in Scotland and has been an early adopter – and occasional beta tester – of almost every digital imaging technology in that time. As well as his creative visual work, John uses 3D printing, electronics and programming to create his own photography and filmmaking tools and consults for a number of brands across the industry.

Tokina 11-18mm F2.8 X

Tokina’s had quite the range of wide lenses over the years, from the classic 11-16mm and 11-20mm f/2.8s to the wide aperture 14-20mm f/2. But they’ve all been made primarily for DSLRs. Today, though, Tokina’s announced its new 11-18mm f/2.8 X, designed exclusively for mirrorless cameras.

As the “X” in the name might suggest, this is an APS-C lens for the Fuji X mirrorless system. In full-frame terms, it offers a field of view equivalent to a 16.5-27mm lens, in a compact, lightweight body for hybrid photo and video shooters.

Tokina 11-18mm F2.8 X

Wide f/2.8 aperture

The lens offers a fast f/2.8 constant aperture throughout its focal length range. At 74.4mm long, it’s not the smallest lens out there, but it’s still quite compact for a zoom lens of this focal length range. It weighs 320g, which is quite a bit less than many of its predecessors.

The compact design lends itself well to handheld shooting for photography, such as landscapes, events and even street photography. Its low weight, combined with its very wide field of view, also makes it ideal for vlogging and video work – especially if using a gimbal.

Tokina says that it offers lower distortion than the competition, with minimal vignetting and light falloff. The elements are multi-coated with the company’s “original blend formula” to minimise ghosting and lens flare. This brings clarity and contrast, which can sometimes be a downfall of wide zooms.

Tokina 11-18mm F2.8 X

Silent for video and quiet environments

It has a silent ST-M motor, so if you’re using it for video, your on-camera microphone won’t pick up its noise as it finds and tracks your target. And it’s fully compatible with Fuji’s image stabilisation, AF+MF, MF Assist and Eye Detection modes.

The base of the lens features a USB-C socket. It’s nice to see USB-C becoming more common on lenses. It seems that with some manufacturers, at least, gone are the days of docks or having to connect it to a camera just to update the firmware or tweak settings.

Tokina 11-18mm F2.8 X Specs

Focal Length 11-18mm
Maximum Aperture f/2.8
Minimum Aperturef/22
Lens MountFuji X
Format CompatibilityAPS-C
Angle of View104.3°-76.7°
Minimum Focus Distance19cm (wide), 30cm (tele)
Optical Design13 elements in 11 groups
Diaphragm Blades9, rounded
Focus TypeAutofocus
Image StabilizationNo
Tripod Collarn/a
Filter Size67 mm (Front)
Dimensions (ø x L)74.4 x 74.4mm
Weight320g

Price and Availability

The Tokina 11-18mm F2.8 X will be available to pre-order soon for for $699. Shipping is slated to begin on March 14th. There’s no word yet on if or when we’ll see this lens come to other APS-C mirrorless mounts, but I hope so.

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John Aldred

John Aldred

John Aldred is a photographer with over 25 years of experience in the portrait and commercial worlds. He is based in Scotland and has been an early adopter – and occasional beta tester – of almost every digital imaging technology in that time. As well as his creative visual work, John uses 3D printing, electronics and programming to create his own photography and filmmaking tools and consults for a number of brands across the industry.

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One response to “Tokina’s 11-18mm F2.8 X is its first super-wide zoom designed for mirrorless”

  1. Ed Genaux Avatar
    Ed Genaux

    The old Sony E 10-18mm F4 OSS APS-C (15-27mm) of January 2013 can be used in Full Frame 12-18mm (18mm if you remove the rear light shield). It has treads up front for filters also today there are rear filter attachments that are great for those long exposure for milky waters/surf.
    Trey Ratcliff did a review in 2015 showing the 12mm use and most all Astro Milky Way Photographers jumped on it because there were no 12mm lenses yet not till 2017 with the FE 12-24mm F4, a big heavy lens to boot not good on a panorama rig or small time lapse rig. Still in Astro bags for its very small size and being a OSS lens and married to a IBIS camera great for sunrise/set Bracketed images. Still sells a little above starting price!